A rare 1960s hand turned 'Studio Line' jug vase made in limited numbers by the Hungarian potter Laszlo Dudas for Ceramano Keramik.  The matt espresso brown glaze is topped with a beautiful, almost iridescent, tan and brown 'hare's fur' fat lava ring that drips almost halfway down the vase before ending in a raised jagged line in strong contrast to the dark brown underglaze.  Laszlo worked for CERAMANO from 1958–67.  After leaving the company, he opened his own ceramic workshop in Höhr-Grenzhausen.

CERAMANO was the brainchild of Jakob Schwaderlapp, the founder of Jasba Keramik.  He set up the sister factory in 1959 to produce higher-end ceramics—artistic and often experimental—to complement the mass-produced lines of Jasba.  Previously the production of such items was restricted to small workshops; Schwaderlapp's concept was to replicate the look and feel of the work of craftsmen using modern production methods.  The enterprise went public at the Frankfurt Spring Fair with an extensive production range, and the designer Hanns Welling was introduced as the man in charge—responsible for all CERAMANO shapes and décors as well as all advertising.  Welling remained at the helm until 1962 when the position of head designer was handed to Gerda Heuckeroth (later known for her amazing body of work at Carstens).

To achieve its goals, CERAMANO employed many of the top artists of the day, notably (in addition to Welling and Heuckeroth) Laszlo Dudas.  The items it produced were generally of a high quality and a varied nature.  Many of the more expensive pieces were completely handmade on a wheel—using CERAMANO's signature reddish-brown clay, naturally.  Top decors include 'Pergamon,' 'Rustica,' and 'Rubin' plus rarities such as 'Saturn,' 'Incrusta,' and 'Achat.'  Bases are generally hand-marked or engraved by the décor artist with the shape number, décor name, and artist's initials (space permitting).  This practice enhanced the "studio work" semblance of CERAMANO pieces.  Schwaderlapp's son and partner, Willi Schwaderlapp, took over the company in 1964 and split it off from Jasba entirely.

[Note: Whenever a shape number present, it usually has three-digits and is sometimes followed by a second number, ranging from one to six, that indicates relative size.  Whether or not text is included on the base depends largely on the size of the vase.  'Handarbeit,' or Handmade, is a common engraving.  Vases from later periods were provided with paper labels.]

CERAMANO continued to develop economically with the takeovers of Waku Feuerfest and Steinzeug- und Mosaikplattenfabrik in the 1970s, allowing for expansion into the production of tableware and architectural tiles, respectively.  Export share increased for a time, but the gambit ultimately proved unsuccessful.  As the 1980s progressed, interest in art pottery began to wane sharply.  CERAMANO finally closed its doors in 1989.  (Jasba is still in operation, producing industrial tiles exclusively.)

CERAMANO was the brainchild of Jakob Schwaderlapp, the founder of Jasba Keramik.  He set up the sister factory in 1959 to produce higher-end ceramics—artistic and often experimental—to complement the mass-produced lines of Jasba.  Previously the production of such items was restricted to small workshops; Schwaderlapp's concept was to replicate the look and feel of the work of craftsmen using modern production methods.  The enterprise went public at the Frankfurt Spring Fair with an extensive production range, and the designer Hanns Welling was introduced as the man in charge—responsible for all CERAMANO shapes and décors as well as all advertising.  Welling remained at the helm until 1962 when the position of head designer was handed to Gerda Heuckeroth (later known for her amazing body of work at Carstens).

To achieve its goals, CERAMANO employed many of the top artists of the day, notably (in addition to Welling and Heuckeroth) Laszlo Dudas.  The items it produced were generally of a high quality and a varied nature.  Many of the more expensive pieces were completely handmade on a wheel—using CERAMANO's signature reddish-brown clay, naturally.  Top decors include 'Pergamon,' 'Rustica,' and 'Rubin' plus rarities such as 'Saturn,' 'Incrusta,' and 'Achat.'  Bases are generally hand-marked or engraved by the décor artist with the shape number, décor name, and artist's initials (space permitting).  This practice enhanced the "studio work" semblance of CERAMANO pieces.  Schwaderlapp's son and partner, Willi Schwaderlapp, took over the company in 1964 and split it off from Jasba entirely.

[Note: Whenever a shape number present, it usually has three-digits and is sometimes followed by a second number, ranging from one to six, that indicates relative size.  Whether or not text is included on the base depends largely on the size of the vase.  'Handarbeit,' or Handmade, is a common engraving.  Vases from later periods were provided with paper labels.]

CERAMANO continued to develop economically with the takeovers of Waku Feuerfest and Steinzeug- und Mosaikplattenfabrik in the 1970s, allowing for expansion into the production of tableware and architectural tiles, respectively.  Export share increased for a time, but the gambit ultimately proved unsuccessful.  As the 1980s progressed, interest in art pottery began to wane sharply.  CERAMANO finally closed its doors in 1989.  (Jasba is still in operation, producing industrial tiles exclusively.)